Red Gemini 5K S35

Red Gemini 5K S35

GEMINI OFFERS FLEXIBILITY IN ANY SITUATION

In Low Light mode, GEMINI™ is RED's highest sensitivity sensor to date, with significantly increased performance in low-light situations and improved performance in shadows due to the new design.

 

SENSOR TYPE GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS 5120 × 3000
SENSOR SIZE 30.72 mm × 18 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE 16.5+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) 
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 × 3000) 
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps 
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps 
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps 
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps 
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps 
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps 
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps 
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps 
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps 
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps 
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz 
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

Integrated R.C.P. WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Carrera 8A # 106 - 66, Bogotá, Colombia

Tel: +571 742 1898

alquileres@teleservicios.tv

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